Intrinsic alignment of disks and ellipticals across hydrodynamical simulations

This study systematically compares intrinsic alignment signals of disk and elliptical galaxies across three hydrodynamical simulations (TNG300, Horizon-AGN, and EAGLE) at redshifts z=0z=0 and z=1z=1, revealing generally positive correlations that are robust to shape definitions but sensitive to sub-grid physics and morphological selection criteria, particularly in the Horizon-AGN simulation.

M. L. van Heukelum, N. E. Chisari

Published Tue, 10 Ma
📖 5 min read🧠 Deep dive

Imagine the universe as a giant, cosmic dance floor. For decades, astronomers have been trying to figure out how the dancers (galaxies) move and orient themselves.

Usually, we think of galaxies as just floating randomly. But, they actually have a secret: they tend to line up with each other, like dancers in a conga line or soldiers in a formation. This is called Intrinsic Alignment (IA).

Why does this matter? Because when we look at the universe to measure its secrets (like dark energy), we use a technique called "weak lensing." It's like looking at the universe through a slightly warped glass. If the galaxies are already lined up on their own (intrinsic alignment), it messes up our view of the warping glass, making our measurements of the universe's expansion inaccurate.

The Great Debate: The "Disk" Dancers

The main problem this paper tackles is a disagreement among scientists about how one specific type of galaxy—disk galaxies (the flat, spinning ones like our Milky Way)—align themselves.

  • The Observations: When astronomers look at the real sky, disk galaxies seem to have no strong alignment. They look random.
  • The Simulations: When scientists run computer simulations of the universe, they get conflicting results. Some simulations say disks align one way (radially, like spokes on a wheel), others say the opposite (tangentially, like a spinning top), and some say nothing at all.

It's like three different chefs trying to bake a cake. One says it should be chocolate, one says vanilla, and one says it should be blue. They are all using different recipes, which makes it hard to know which cake is the "real" one.

The Investigation: A Taste Test

The authors of this paper decided to stop arguing and start comparing. They took three of the most popular "recipes" (computer simulations) used by the scientific community: TNG300, EAGLE, and Horizon-AGN.

They decided to bake the cakes using the exact same ingredients and measuring tools for all three. They didn't just look at the final cake; they looked at the batter, the oven temperature, and the cooling process.

Here is what they found, translated into everyday language:

1. The "Shape" of the Galaxy Matters

In these simulations, you can define a galaxy's shape in two ways:

  • The "Simple" Shape: Looking at the whole galaxy, including its fuzzy, messy outer edges.
  • The "Reduced" Shape: Ignoring the fuzzy edges and focusing only on the bright, dense center.

The Analogy: Imagine looking at a dandelion.

  • The Simple shape is the whole fluffy seed head.
  • The Reduced shape is just the green stem and the tight cluster of seeds in the middle.

The paper found that how you define the shape changes the result. If you look at the whole dandelion (simple), the alignment is usually positive (they line up nicely). If you look only at the tight center (reduced), things get weird.

2. The "Spin" vs. The "Color"

The scientists tried to sort the galaxies into "Disks" and "Ellipticals" (round, football-shaped galaxies) using two different methods:

  • Method A (Kinematics): How fast are they spinning? (Like sorting dancers by how fast they spin).
  • Method B (Color): Are they blue (young, star-forming) or red (old, dead)? (Like sorting dancers by their outfit color).

The Findings:

  • TNG300 and EAGLE: These simulations were very consistent. No matter how you sorted them, the disks and ellipticals lined up positively. They were good team players.
  • Horizon-AGN: This simulation was the rebel. When they used the "Reduced Shape" (focusing on the center) and sorted by "Spin" (how fast they rotate) at a specific time in the universe's history, the disks actually lined up in the opposite direction (negative alignment).

3. The "Ghost" in the Machine

Why did Horizon-AGN show this weird negative alignment?

The authors realized that the "Spin" method (|v/σ|) was accidentally picking up a lot of low-mass, small galaxies. The "Color" method (red vs. blue) was picking up high-mass, big galaxies.

They did a clever trick: they took the small galaxies from the "Spin" group and mathematically "re-weighted" them to pretend they were big galaxies.

  • The Result: Even when they made the small galaxies look like big ones, the weird negative alignment didn't go away.

The Conclusion: It wasn't the size of the galaxies causing the weird alignment. It was the physics inside the simulation (the "sub-grid physics," which is like the secret sauce the chefs use to simulate star formation and black holes). The way Horizon-AGN handles the inner cores of galaxies is different from the others, leading to that strange negative signal.

The Big Takeaway

This paper is like a detective story that solves a mystery by standardizing the investigation.

  1. Consistency is King: You can't compare apples to oranges. If you want to know if a simulation is right, you have to measure it the exact same way as the others.
  2. The "Blue" Galaxy Myth: Many scientists thought "blue" (disk) galaxies didn't align and could be ignored to fix lensing errors. This paper shows that blue galaxies DO align, and sometimes quite strongly. Ignoring them might actually make our measurements of the universe worse, not better.
  3. Physics Matters: The way a simulation models the tiny, inner details of a galaxy (the "sub-grid physics") can completely change the result, even if the galaxies look the same on the outside.

In short: The universe is a complex dance. Sometimes the dancers line up, sometimes they don't. This paper helped us realize that if we want to understand the dance, we need to watch the whole group, use the same camera for everyone, and realize that the "inner steps" of the dancers are just as important as the "outer steps."