On non-uniqueness of mild solutions and stationary singular solutions to the Navier-Stokes equations

This paper demonstrates the failure of unconditional uniqueness for mild solutions to the Navier-Stokes and fractional Navier-Stokes equations in Besov spaces with negative regularity by constructing non-trivial stationary singular solutions via convex integration, while simultaneously establishing uniqueness for stationary weak solutions in an endpoint critical space.

Alexey Cheskidov, Hedong Hou

Published 2026-03-05
📖 5 min read🧠 Deep dive

Imagine the Navier-Stokes equations as the ultimate "rulebook" for how fluids (like water, air, or even honey) move. For nearly a century, mathematicians have been trying to answer a simple question: If you know exactly how a fluid is moving right now, is there only one way it can move in the future?

Think of it like a movie. If you pause the film at a specific frame (the initial state), is there only one possible way the story can continue? Or could the movie branch off into two completely different, equally valid plotlines?

For a long time, mathematicians believed the answer was "Yes, there is only one story." This is called uniqueness. If the rules are clear, the future is determined.

However, this paper by Alexey Cheskidov and Hedong Hou says: "Not so fast." They have proven that for certain types of "rough" or "jagged" starting points, the fluid can actually split into two different futures. The story has two valid endings.

Here is how they did it, explained with some creative analogies.

1. The "Rough" Starting Point

In math, fluids are usually described as smooth, like a calm lake. But in the real world, fluids can be chaotic, turbulent, and full of tiny, violent swirls. The authors looked at fluids that are so "rough" they don't even have a defined energy level (mathematicians call this having "negative regularity").

Imagine trying to predict the weather. If you start with a perfectly smooth, calm atmosphere, the forecast is usually reliable. But if you start with a chaotic, jagged mess of wind and pressure, the rules of physics might allow for multiple different outcomes. The authors proved that in this "jagged" world, the fluid doesn't have to pick just one path.

2. The "Stationary" Ghost

To prove this, the authors didn't just watch a fluid move; they looked for a ghost.

They constructed a special kind of solution called a stationary singular solution.

  • Stationary: It doesn't change over time. It's like a frozen wave.
  • Singular: It's a "ghost" because it's so rough that it breaks the usual rules of energy. It's not a physical fluid you could hold in a bucket; it's a mathematical phantom.

The Analogy: Imagine a sculpture made of smoke. Usually, smoke dissipates. But imagine a "ghost sculpture" that stays perfectly still, frozen in time, yet is made of such chaotic smoke that it defies normal physics. The authors found that you can build many different versions of this ghost sculpture.

3. The Magic Trick: Convex Integration

How did they build these ghosts? They used a technique called Convex Integration.

The Analogy: Imagine you are trying to build a bridge across a canyon, but you are only allowed to use very specific, weird-shaped bricks.

  1. You lay down a few bricks. The bridge is wobbly and doesn't quite reach the other side.
  2. You add a new layer of bricks on top, but you wiggle them back and forth (oscillate) to fill in the gaps.
  3. You repeat this process infinitely. With each layer, you make the bridge smoother and closer to the perfect shape, but you are constantly adding tiny, high-frequency wiggles.

In the end, you have a bridge that looks perfect from a distance, but up close, it's a chaotic mess of infinite wiggles. This process allows you to construct a solution that satisfies the equations but behaves in a wild, non-unique way. The authors used this "wiggle-building" technique to create their stationary ghosts.

4. The Two Movies

Here is the punchline of their discovery:

  • Movie A: You start with a specific "rough" initial state (the ghost sculpture). The fluid just sits there, frozen in time, forever. This is a valid solution.
  • Movie B: You start with the exact same initial state. But this time, the fluid wakes up! It starts moving, swirling, and evolving into a smooth, normal flow. This is also a valid solution.

Because both movies start with the exact same frame and both follow the laws of physics (the Navier-Stokes equations), the "unconditional uniqueness" has failed. The future is not determined; the fluid has a choice.

5. Why This Matters

This might sound like a weird mathematical curiosity, but it's huge.

  • The "Critical" Line: For a long time, mathematicians thought that if you stayed within a certain "critical" range of roughness, the rules would hold firm. This paper shows that even in these critical zones, the rules break down.
  • Fractional Equations: They also showed this happens even if you change the physics slightly (using "fractional" equations, which are like different versions of the fluid rules).
  • The Limit: Interestingly, they also found a "safe zone." If the fluid is just smooth enough (in a specific mathematical space called B,11B^{-1}_{\infty,1}), then uniqueness does return. It's like finding the exact point where the chaos turns back into order.

Summary

Think of the Navier-Stokes equations as a game of chess. For most of history, we thought that if you knew the position of all the pieces, there was only one legal move forward.

Cheskidov and Hou have shown that if the board is covered in a specific kind of "static" or "noise" (negative regularity), the game can branch into two different realities. One where the pieces stay still, and one where they start moving. Both are legal. Both are correct.

They didn't just find a glitch; they built a whole new world of "ghost fluids" to prove that the future of a fluid isn't always written in stone.