Gender Disparity, Social Exclusion, and Women's Agency in Contemporary Nollywood Cinema: A Comparative Analysis of Wives on Strike 2 and Up North
This article employs a comparative analysis of Omoni Oboli's *Wives on Strike 2* and Tope Oshin's *Up North* to demonstrate how contemporary female-directed Nollywood cinema utilizes intersectional frameworks to reposition women from passive victims of patriarchal exclusion to transformative agents of social change through collective mobilization and individual resistance.