Media Capture and the Register of Subjugated Knowledges: A Practitioner‑Centred Analysis of Ravish Kumar’s The Free Voice
This practitioner-centred study analyzes Ravish Kumar's *The Free Voice* to propose a tripartite heuristic of Emotional, Semiotic, and Discursive Capture, thereby expanding media capture theories beyond structural factors to include the affective and discursive dimensions of India's democratic backsliding.