Subtitle-Cue Density, Silence, and Female Existential Positioning in Autumn Sonataand Les Rendez-vous d’Anna: A Reproducible Mixed-Methods Study
This study employs a reproducible mixed-methods framework comparing subtitle cue density and silence in Bergman's *Autumn Sonata* and Akerman's *Les Rendez-vous d'Anna* to demonstrate how quantitative temporal mapping supports a qualitative argument that female existential positioning manifests as either relational martyrdom or nomadic withholding, rather than a binary opposition.