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Metaphors' journeys across time and genre: tracking the evolution of literary metaphors with temporal embeddings

This study utilizes diachronic distributional semantics on Italian corpora to reveal that while the processing demands of literary metaphors have remained stable over time, genre significantly influences metaphor difficulty, with modern literature presenting higher processing costs and contemporary web language offering greater accessibility compared to their 19th-century counterparts.

Original authors: Veronica Mangiaterra, Chiara Barattieri di San Pietro, Paolo Canal, Valentina Bambini

Published 2026-02-17
📖 5 min read🧠 Deep dive

Original authors: Veronica Mangiaterra, Chiara Barattieri di San Pietro, Paolo Canal, Valentina Bambini

Original paper licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/). This is an AI-generated explanation of the paper below. It is not written or endorsed by the authors. For technical accuracy, refer to the original paper. Read full disclaimer

Imagine language as a vast, living ocean. For centuries, people have sailed these waters, dropping anchors (words) and casting nets (metaphors) to catch meaning. But the ocean changes. The currents shift, new islands appear, and the depth of the water varies depending on where you are.

This paper is like a time-traveling sonar scan. The researchers wanted to know: Do the metaphors we read in old Italian books feel just as "heavy" or difficult to understand to us today as they did to the people who wrote them 200 years ago?

To find out, they didn't just ask people to guess; they built a digital "time machine" using a technology called Word Embeddings.

The Time Machine: How They Did It

Think of Word Embeddings as a giant, invisible map where every word is a city.

  • If two words are often used together (like "coffee" and "cup"), their cities are right next to each other.
  • If they are rarely used together (like "coffee" and "cloud"), their cities are far apart.

The researchers built four different maps of the Italian language:

  1. 19th Century Literary Map: (Novels and poems from the 1800s).
  2. 19th Century Non-Literary Map: (Newspapers, manuals, and diaries from the 1800s).
  3. 21st Century Literary Map: (Modern novels and poems).
  4. 21st Century Non-Literary Map: (Websites, blogs, and news sites today).

They took 515 famous metaphors from 19th-century books (like "Hair of flame" or "Fog of melancholy") and dropped them onto all four maps to see how far apart the two parts of the metaphor were.

The Big Discovery: The "Genre Gap"

Here is the twist: Time didn't change the difficulty much, but the type of text did.

Imagine you are trying to connect two dots with a string.

  • In the 1800s: Whether you were reading a fancy novel or a boring manual, the string between the dots was about the same length. Back then, everyone spoke in a similar, high-class style. A metaphor in a poem felt just as familiar as one in a newspaper.
  • In the 2000s: The maps split apart like a fork in the road.
    • The Web (Non-Literary): The string got shorter. On the internet, people mix words in wild, creative ways all the time. Because we see so many new combinations online, connecting "sky" to "flour" (a metaphor) feels easy and natural. The dots are close together.
    • Modern Literature: The string got longer. Modern novels have become simpler and more like spoken conversation. Because they don't use fancy, poetic language as often, a metaphor like "Hair of flame" feels more distant and strange to a modern reader. The dots are far apart, making the metaphor feel harder to process.

The Analogy:
Think of metaphors as exotic spices.

  • In the 19th century, everyone cooked with exotic spices, whether they were making a feast (literature) or a simple stew (non-literature). So, the taste was familiar to everyone.
  • Today, the Internet is like a chaotic, creative fusion kitchen where people are constantly inventing new spice combos. You are so used to weird flavors that a new one doesn't surprise you; it's easy to digest.
  • Modern Literature, however, has become like a restaurant serving very plain, simple food. If they suddenly serve you a complex, exotic spice dish, it feels jarring and difficult to taste because it doesn't fit the simple menu anymore.

The Secret Ingredients: Word Stability

The researchers also looked at the "ingredients" (the individual words) inside the metaphors. They found two rules that make a metaphor easier or harder to understand:

  1. The Anchor (The Topic): The first word (e.g., "Hair") needs to be a stable anchor. If the meaning of "Hair" has changed wildly over 200 years, it's hard to build a bridge to the second word. If the anchor is shaky, the whole metaphor feels wobbly.
  2. The Sail (The Vehicle): The second word (e.g., "Flame") needs to be flexible. If a word is too crowded with other meanings (like a busy city square), it's hard to steer it into a new, poetic direction. But if it's a bit more open, it can easily catch the wind of a new metaphor.

The Takeaway

The study concludes that metaphors aren't inherently hard or easy. Their difficulty depends on the context and the history of the language.

  • Then: Everyone spoke the same "fancy" language, so metaphors were easy for everyone.
  • Now: The internet has made us experts at connecting weird ideas (making metaphors easy), while modern literature has simplified its language, making those same old metaphors feel strange and difficult again.

It's a reminder that reading isn't just about the words on the page; it's about the cultural ocean we are swimming in. Sometimes the water is calm and familiar; other times, it's a stormy, creative sea where the old maps no longer match the new shores.

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