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Some convolution identities for mock modular forms arising from the theory of holomorphic projection

This paper develops a generalized theory of holomorphic projection for products involving harmonic Maass forms to derive new convolution identities for mock modular forms covering cases with infinitely many solutions to generalized Pell equations, thereby resolving a recent conjecture and providing a systematic method to discover and verify 18 identities for mock theta functions.

Original authors: Jonathan G. Bradley-Thrush, Frank Garvan, Jayashree Kalita, Larry Rolen

Published 2026-08-14
📖 3 min read🧠 Deep dive

Original authors: Jonathan G. Bradley-Thrush, Frank Garvan, Jayashree Kalita, Larry Rolen

Original paper licensed under CC BY 4.0 (http://creativecommons.org/licenses/by/4.0/). This is an AI-generated explanation of the paper below. It is not written or endorsed by the authors. For technical accuracy, refer to the original paper. Read full disclaimer

Imagine you are a detective trying to solve a mystery, but instead of footprints or fingerprints, your clues are hidden inside infinite number patterns. This is the world of modular forms, a branch of mathematics where numbers dance in perfect, repeating rhythms. Think of these patterns like a complex musical score: if you play the notes in a certain order, they create a beautiful, harmonious song. For centuries, mathematicians have studied "holomorphic" forms, which are the perfect, smooth notes of this song—no cracks, no static, just pure melody.

But in the 19th century, mathematicians discovered a strange, slightly "broken" version of these songs called mock modular forms. These are like a melody that starts perfectly but then gets a little scratchy or wobbly at the end. For a long time, these wobbly notes were considered mathematical oddities, hard to use and even harder to understand. However, in recent years, researchers realized that these "broken" songs are actually connected to the perfect ones in a very specific way. By using a mathematical tool called holomorphic projection, they can take a wobbly, broken song and project it onto a perfect, smooth surface to reveal hidden relationships. This isn't just about pretty math; these patterns help solve deep puzzles in counting things (combinatorics) and even explain secrets about the universe's structure.

This paper is about a team of mathematicians who decided to upgrade that projection tool. Previously, the method worked well only for a very specific, narrow type of broken song—one where the underlying pattern had a limited number of solutions, like a puzzle with only a few possible answers. The authors realized that many interesting mathematical problems involve patterns with infinite possibilities, like a puzzle that keeps generating new pieces forever. They developed a new, more flexible version of the projection technique that can handle these infinite cases.

Using this new tool, the team proved a long-standing guess (a conjecture) made by one of their colleagues about how certain "mock theta functions"—a special type of wobbly song discovered by the legendary mathematician Ramanujan—relate to each other. They didn't just prove one; they uncovered a whole family of 18 new formulas connecting these functions. While 18 sounds like a lot, they discovered that these formulas are all variations of the same five core truths. The authors showed that these five identities are the "master keys" that unlock the rest. They also demonstrated that while these formulas could be proven using old-school algebraic tricks, their new projection method is like a high-tech scanner: it automatically discovers and verifies these complex relationships, making the process much faster and more reliable. In short, they built a better lens to see the hidden connections between the broken and the perfect in the world of numbers.

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