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The concept of solid waste through an artistic lens: An alternative approach to mitigate the adverse impact of urban and consumerist culture

This studio-based research investigates how upcycled art, grounded in Eco-aesthetics and transformative learning theories, can serve as a pragmatic intervention to mitigate the adverse impacts of solid waste in Jamestown's urban and consumerist culture by unifying aesthetic values with sustainability to drive sociocultural transformation.

Original authors: Samuel Prophask Asamoah, Dickson Adom, Steve Kquofi

Published 2026-08-07
📖 4 min read☕ Coffee break read

Original authors: Samuel Prophask Asamoah, Dickson Adom, Steve Kquofi

Original paper licensed under CC BY 4.0 (https://creativecommons.org/licenses/by/4.0/). This is an AI-generated explanation of the paper below. It is not written or endorsed by the authors. For technical accuracy, refer to the original paper. Read full disclaimer

Imagine the world as a giant, bustling kitchen where everyone is constantly cooking up new things. In this kitchen, "waste" isn't just trash; it's more like a misunderstood ingredient. For a long time, scientists and thinkers have argued over what exactly counts as waste. Is it something broken? Something unwanted? Or is it just a resource that hasn't found its right recipe yet? This debate is at the heart of a field called sustainability, which tries to figure out how to live without clogging up our planet's pantry. One popular idea is the "circular economy," which suggests that instead of throwing things away, we should keep them in a loop, turning old items into new ones. Another concept is "upcycling," which is like taking a leftover crust of bread and turning it into a fancy crouton salad rather than just tossing it in the bin. People care about this because when we don't manage our waste well, it piles up, blocks our drains, hurts animals, and makes our neighborhoods look messy and feel unsafe. But what if we could look at a pile of trash and see a canvas for a masterpiece instead?

This paper, written by researchers from the Kwame Nkrumah University of Science and Technology, dives into that very question. The team, led by Samuel Prophask Asamoah, Dickson Adom, and Steve Kquofi, decided to test a creative solution in Jamestown, a historic and busy community in Accra, Ghana. Jamestown is a place full of life, with fishermen, traders, and tourists, but it is also struggling with massive piles of solid waste clogging its beaches and the nearby Korle Lagoon. The researchers wanted to see if turning this trash into art could do more than just clean up the streets; they wondered if it could change how people think about waste.

To do this, the team didn't just write a report; they got their hands dirty. They treated the project like a studio experiment, mixing science with creativity. First, they talked to 22 people from the community, including fishermen, traders, teachers, and even schoolchildren, to understand why the trash was piling up. They found that the problem wasn't just local; the Odaw River acted like a giant conveyor belt, carrying waste from other neighborhoods and dumping it right onto Jamestown's shores. They also learned that many people felt the government should handle the trash, while others blamed tourists or the sheer volume of trade.

Next, the researchers collected a massive amount of this "misunderstood ingredient." They gathered about 3,545 kilograms of materials, including 2,980 kilograms of plastic, 290 kilograms of textiles, 110 kilograms of aluminum, 98 kilograms of leather, and 67 kilograms of paper. They cleaned everything thoroughly, washing away the dirt and germs, and then transformed it. Using tools like knives, grinders, and heat guns, they turned these discarded items into two types of art: large portraits of people made from plastic and textiles, and wall hangings that wove together history and culture using aluminum cans and fabrics.

Finally, they held an exhibition called "Waste Reframed" right at the Jamestown fishing harbor. They invited the community to see the art and talk about it. The results were encouraging. The paper suggests that seeing trash turned into beautiful, meaningful objects helped people realize that waste isn't just useless junk. The participants, who included children and elders, expressed that they felt inspired to start repurposing waste in their own homes. They suggested that the government could set up training centers to teach these skills, turning waste management into a source of jobs and creativity.

The paper concludes that while art alone might not solve the entire waste crisis, it acts as a powerful tool for change. It suggests that by mixing beauty with sustainability, we can shift our mindset from "throwing away" to "creating with." The researchers argue that this approach, grounded in the idea that waste is a "misallocated resource," can help communities like Jamestown find new ways to handle their environmental challenges. They recommend that schools teach these skills and that more people are encouraged to see the potential in what they usually discard. The study doesn't claim to have fixed the problem forever, but it suggests that looking at trash through an artistic lens is a promising step toward a cleaner, more creative future.

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